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''किसी भी मुल्क में फासीवाद अचानक नहीं आता। ''- सुभाष गाताडे

on October 24, 2014

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हमारा ताज़ा अंक

Mahendra Nandkishore

Co-ordinator

सबसे ज्यादा देखे-सुने गए विडियो

‘‘पंखों में आकाश समेटे चले हमारा काफिला......’’

सलूम्बर सर्वशिक्षा अभियान एवं साहित्यिक संस्था सलिला द्वारा आयोजित पांच दिवसीय लेखन कार्यशाला के दूसरे दिन बच्चों ने निबन्ध लेखन, कविता रचना, चित्र बनाना सीखा। इसके तहत विभिन्न प्रतियोगिता आयोजित की गई। निबन्धों का पाठ किया गया एवं प्रथम द्वितीय पुरस्कार प्रदान किये गये। नारी किसी से कम नहीं, छुट्टियों का उपयोग कैसे करें, हमारा विद्यालय विषयों पर निबन्ध लिखे।सर्वप्रथम बालिकाओं को शब्द लिखने के लिए दिये गये। उन्हीं शब्दों से कविता निर्माण किया गया। बालिकाओं ने निम्न कविताएं लिखी- सलूम्बर, नारी, फूल, तितली आदि स्वरचित कविताएं प्रस्तुत की। लक्ष्मी कुमावत ने दीवार भास्कर नामक अखबार प्रस्तुत किया गया। लेखन कार्यशाला को समाहित कर प्रस्तुत किया। राज. बा. उ. मा. विद्यालय की प्राचार्या रजनी जोशी ने कार्यशाला का अवलोकन कर बच्चों को रचना के क्षेत्र में आगे बढ़ने का आवाह्न किया। रतनलाल चौबीसा ने अपनी बाल कविताएं सुनाई। चन्द्रपंकाश मंत्री, मधु माहेश्वरी, उषा कचौरिया आदि सहयोगी करते रहे। आर. पी. मनोहर लाल किंकोड़, मोहनलाल बुनकर ने इस कार्यशाला की प्रशंसा करते हुए कहा कि...

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बड़े भाई सत्यकाम जी के साथ-साथ सामयिक प्रकाशन के महेश भारद्वाज के प्रति आभार कि मुझे हर बार की तरह समीक्षा का अक्टूबर-दिसंबर, 2013 वाला अंक समय पर मिल गया । पुस्तक समीक्षा पर केंद्रित जितनी पत्र-पत्रिकाएं निकलती हैं उनमें बहुत पुरानी त्रैमासिक पत्रिका है 'समीक्षा' । पिछले 46 वर्षों से किसी पत्रिका का निरंतर प्रकाशित होना कोई हंसी-खेल नहीं । इससे गुज़रें तो जैसे समकालीन कविता, कहानी, उपन्यास, नाटक, आलोचना आदि विधाओं की कई जानी-पहचानी और कई अनजानी किताबों की सम्यक समीक्षाएं मिल जाती हैं । इस बार भी उसी तरह । इस अंक में युवा कथाकार उर्मिला शिऱीष का नया साक्षात्कार भी है । उन्हें जाना-परखा जा सकता है ....पर मेरा ध्यान जहाँ अधिक देर तक लगा रहा वह है कथाकार, पत्रकार और संपादक तीनों रूपों में सक्षम और समर्थ रचनाकार बलराम जी की 'माफ़ करना यार' जैसी आत्मीय-संस्मरण की किताब पर प्रमोद भार्गव की खुली और दिलेरी से की गई समीक्षा - लेखकीय गरिमा के विनम्र आत्मकथ्य । प्रमोद जी लिखते हैं - "बलराम को जहाँ गुजांइश दिखती है वामपंथ और छद्म धर्मनिरपेक्षता पर चोट करते हैं । ...

Profile of Odissi Dancer MADHUSMITA MOHANTY ODISSI DANCER

Odissi Dancer MADHUSMITA MOHANTY ODISSI DANCER COMMUNICATION : L-176, Baramunda Hsg. Board Colony, Bhubaneswar, Odisha, India. Tel# : 7855922168 (Mob), 9437278451 (on req.) Email : ...

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#YoungGenerations #DharmrajJoshi #MulaaqaatWithManik टाइटल:Very Practical & Life Changing Message to Youth II Dharmraj Joshi शो:Mulaaqaat With Manik प्रीमियर समय:24 May 2019 @8 pm लिंक: https://youtu.be/IpD2oV0_M5Q बाक़ी आनंद । शुक्रिया। बने रहें-जुड़े रहें। YouTuber Team@Apni Maati (Like,Share & Subscribe) --------------------------------------------- Our Recording Instrument (A) Headphone https://amzn.to/2OZR8K5 (B) Sony Tripod Unit https://amzn.to/2I07Lo4 (C) Microphone for Recording https://amzn.to/2HZE8Dq ------------------------------------------------------- Online Shopping Store https://www.amazon.in/shop/apnimaati Watts App https://wa.me/919672287440 Facebook Page https://www.facebook.com/apnimaati Portal http://www.apnimaati.com Twitter https://twitter.com/apnimaati Instagram apnimaati ---------------------------------- Details at http://www.apnimaati.com/p/about-us.html Founder Manik http://manik.apnimaati.com/p/blog-pag ... ======== Donations ====...

Profile of Shree Shubhendra Rao Ji

Profile of Shree Shubhendra Rao Ji Shubhendra Rao was born on November 26, 1964 in Mysore city in the state of Karnataka in Southern India. From a very young age, Shubhendra showed great talent for music. His father, the late N R Rama Rao (who was one of the earliest and closest disciples of Pandit Ravi Shankar), initiated him into the intricacies of the sitar. His mother, Nagaratna, is a trained Saraswati Veena player. Growing up in a house where there was music all the time, it was natural for him to pick up an instrument. Shubhendra's parents always told him, that even before he could talk, he could sing musical notes. Shubhendra recalls one of his earliest memories when he was about three and a half: My father's guru Pandit Ravi Shankar (who was to later become my own guru) came to our house along with his son, Shubhendra Shankar (after whom I was named) and Ustad Alla Rakha. I could play the sitar by keeping it on the floor since I was too small to be able to lift it up an...

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आईएचसी भारतीय भाषा महोत्सव सह-आयोजक: दिल्ली प्रेस, प्रतिलिपि बुक्स इंडिया हैबिटैट सेंटर, लोधी रोड, नई दिल्ली Friday, December 16, 2011 at 4:30pm until Sunday, December 18, 2011 at 7:00pm 'समन्वय' हमारे सांस्कृतिक परिवेश में बोली जाने वाली विभिन्न भाषाओं में अभिव्यक्त मानवीय विचारों और विविध सांस्कृतिक सन्दर्भों को एक मंच पर लाने वाला आयोजन है. __________________________ __________________________ _______ पहला दिन | Day 1st उदघाटन सत्र | Inaugural session: * संवाद : क्या कोई भारतीय साहित्य है? | Is there an Indian Literature? * काव्य पाठ * गायन : नागार्जुन की हिंदी और मैथिली कविताओं का. __________________________ दूसरा दिन | Day 2nd पहला सत्र : असमी | Session 1: ASSAMESE स्त्री लेखन : नई चुनौतियां, नई संभावनाएं | New Challenges for Women Writers _________________________ दूसरा सत्र : पंजाबी | Session 2: PUNJABI दलित प्रेम कविता | Dalit Love Poetry __________________________ __ तीसरा सत्र : मलयालम | Session 3: MALAYALAM हाशिए...

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ज्यादा जानकारी हेतु तस्वीर पर क्लिक करिएगा।

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CELEBRATING SPIRIT OF “NISHKAAM SEVA” Photo Courtesy-Google Introduction Law of Nishkaam Karma (Excerpts from page 15 & 16 of Chintan) Newton’s 3rd law of motion states - for every action, there is an equal and opposite reaction. Conversely, there is law of “Nishkaam karma “– it says that for every action in which there is no embedded expectation, there is a reaction that is far greater than the action. This comes from a source other than which is being acted upon. Newton’s third law can be experimentally proved while the law of “Nishkaam Karma” can be proven experientially. Check out things through experience. It is a very powerful mechanism for validating the truth. Do put 10% of your time & money on something from which you do not expect anything & watch the beautiful results. True voluntary work is a fine example of this law of Nishkaam Karma. People involved with such work have to face many difficulties but, over a period of time, they start emitting a glow that...

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Sarod Artiste Partho Sarathy Partho was born in 1960, and started his musical training under his father who was a disciple fo Pandit Radhika Mohan Moitra. Partho then took lessons for nearly a decade from Ustad Dhyanesh Khan- son and disciple of the legendary Sarod maestro Ustad Ali Akbar Khan. Since 1980, Partho has been under the direct guidance of Bharat Ratna Pandit Ravi Shankar, India's greatest musician. Partho Sarathy is one of the finest classical musicians from India and a disciple of the legendary Pt. Ravi Shankar. His music embodies the true heritage of Hindustani raga music. His virtuosity on the sarod makes his exploration of ragas an exercise in harmony, tranquility and his serious meditative approach makes his music literally soar to unscaled height of fulfillment. Partho is based in Calcutta, the cultural mecca of India and has been performing for the last 30 years in India and all over the world. Blessed with an exceptional artistic temperament, exacting technical ...

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Dr. Kamala Shankar, a renowned exponent of Indian Classical Guitar has enthralled the world through her immaculate and melodious rendition of music. She is known for her tremendous control and versatility along with depth on her instrument. She has an exceptional and natural ability to play the ‘Gayaki Ang’ style on her Shankar Guitar. Dr. Kamala is a prodigy of Indian Music and has performed in India and abroad. She has improvised her art at every level. She has made a place of her own among the group of established artists and achieved the record of being the first lady Guitar Artist with a Doctorate on the same.She has been awarded the prestigious “Rashtriya Kumar Ghandharva Samman 2009-10” Dr.Kamala Shankar was born inTanjore (Tamilnadu) and blossomed in Varanasi. At the age of 4 she was initiated into vocal music by her mother.At the age of 6 she was put under the guidance of Guru Pt. Amarnath Mishra of Varanasi to have extensive study in vocal for 6 years and completed her Sangee...

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